Frozen Memories is meant to feel isolated and clean, which is why I went with a white, monochrome look. I wanted the scene to have a sense of familiarity but also feel a bit foreign—like something you recognize in a way but can’t fully assign to a specific place or time. There’s a mix of cold and warmth in it, making it feel distant yet not completely unwelcoming. At the same time, there’s a slight gloominess, like something frozen in time. The controlled, minimal composition enhances the sense of isolation, while the lack of strong details and the almost unnatural stillness give it a subtle surreal quality, making it feel detached from reality.
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